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Nowadays, I have been thinking about the drama and I watched it again 1-4 times. It’s a masterpiece 카지노사이트 쿠폰 of an age that doesn’t miss anything, even though it’s 25 years old. What was really creepy when I was looking at it was that I had already laid the story of the story and the ending of the main characters in one or three times.

The first time is mainly viewed by Park Tae -soo (Choi Min -soo). In the first scene, Jang Do -sik, a state executive, suggests work to Park Tae -soo. But Park says: “If the gangster intervenes in Narat, I heard that the end is a death penalty.” And the hourglass ends with Park Tae -soo’s death. Leave that famous ambassador, “Are you trembling now?”

The second episode is Kang Woo -suk (Park Sang -won). Kang Woo -suk has heard the sound of a prodigy since childhood, and he goes to the law school after hearing that he goes to the law school under his poor but firm values. He is trying to become a judge with strabismus. But his best friend Park Tae -soo becomes a gangster and keeps coming out. Park Tae -soo went to Yuksa and became a gangster when his father failed to be tied up with a partisan. Kang Woo -suk, who wants to turn his heart, tells Park Tae -soo. “If you keep doing this, I can go to catch you later.” This compresses the mixed destiny of the two and shows it in advance.

The third is Yoon Hye -rin, the daughter of Casino’s godfather Yoon. Hyerin is kidnapped by Yoon’s rivals as a middle school student. However, Chairman Yoon says to his daughter, “You may not be able to go to find you.” It sounds like Cheongcheon wall. But fortunately, there was Baek Jae -hee (Lee Jung -jae) next to her. Jaehee is one of the daily kidnapping of Hyerin, but rather saves her. He informs Yoon of his daughter’s place and stops the violent ships trying to harvest Hyerin. And when you go to the end of the hourglass, Jaehee keeps Hyerin until the end and dies.

In this way, the drama tells what the big stems of the story will be, what destiny they will be, and through their past. I continued to admire how the puzzles of the relationship and fate were perfectly matched. Song Ji and the writer at that time thought they were really the god of script.

However, the composition of the past and the present, centered on the characters each time, is not a big deal for knowing everything, but it can be somewhat confusing at first. Therefore, it is difficult to apply to the composition of the drama, where early suction power is important.

This is because the hourglass is not a story that attracts the play around it as an event broke out in the beginning. The hourglass is close to the actually a big drama that meets three main characters, experiencing the dark curvature of Korean modern history, and looking at the whole life. Now it is difficult to see a work like .