I replaced PCX and accelerator grip that have fallen for 10 years.
10 years after purchasing a new car, the grip has become sticky.
Only two places on the right, rubber seems to be melted, and when you touch 바카라 it, it will add black sticky.
It would be beautiful when wiped with a brake cleaner, but it was a sticky resurrection in a few days. 。 。
I don’t know why it melts partially.
Is gasoline or oil attached?
It is easier to change the whole throttle grip than to replace only the rubber.
It was about 1200 yen including shipping on the net.
The replacement work ended in about 30 minutes.
As it has been 10 years, the bolt of the grip end was stuck as expected.
Turn the driver little by little while hitting with a hammer.
+If you only have a driver, you will lick it, so if you are about to lick it, hit the boomed bolt tip, return it, and then turn it again.
I thought about CRC, but I didn’t use it because it was troublesome to degrease after removing it.
If the grip end comes off, it’s quick.
Just apply grease to the wire and replace it.
There is no need to loosen the wire, and it is finished with a replacement.
Only the right was new, but the glove was not dirty and it became comfortable.
[Digging into Shibuya Vol.1] Former HMV Shibuya Ota Hiroshi Interview
[This is the content that directly translates and uploads ‘渋 を を 掘 下 下 下 げ’, which was published as a planning article in 2019 in Natalie.mu, Japan’s webzine. The specialty of the article is not written by myself, so I hope you have no error.]
Covering, Writing, Editing / The Monkey
Interview Cut Shooting / 臼杵 晃 Translation / Hwang Seon Up
It has been 30 years since the first album ‘Three Cheers for our side’ of Flipper’s Guitar was released in 1989 (when the article was written, the song was written in November 1991-2001. 7inch analog 16 set boxes selected by Eul Konishi Yasuharu were released, and Ozawa Kenji released his album “ So Kakkoi ” in 13 years, and the cultural artist around the 90’s. It is attracting attention again. In line with such movements, Ongaku Natalie develops short -term intensive series. Through plurality of content, the sibuya field is diversically dug into. In the first series, he interviews with Mercheon Daizer, Oota Hiroshi, a former HMV Shibuya, also known as “the mainist of Shibuya.”
A career that started as a record clerk
Mr. Ota’s career began in 1981. After graduating from high school, he joined the ages of 19 years old to the large company Chain Shinseido Disc, who helped the import class rental records and sells music/video software.
Outa’s 81 -year -old year was when Otaki H’s A Long Vacation was released and the YMO was gaining popularity as the momentum to drop the bird.
Later, it was placed on other stores in Shinseido and moved to Shinjuku branch in the late 80s. He worked hard for nine years, starting with public tape and record needles and becoming a Western music manager.
Japan’s 1st store HMV Shibuya Staff
The scout of Mr. Ota is HMV Japan, a Japanese subsidiary of HMV. He received a proposal as a staff of Japan’s first store HMV Shibuya. On November 16, 1990, HMV Shibuya was opened at the place where MEGA Don Quixote Shibuya is located. Ota, who was originally in charge of the Western Rock, is in charge of the following year as the Japanese music manager moves.
Shibuya is already a large -scale store such as Tower Records and WAVE, and individual imported records are also crowded. It was also the biggest task of how alone in the situation. In 1991, Mr. Ota was in charge of Japanese music stores on the first floor of HMV Shibuya, but the booth in the store was only teenagers. The flagship products of large -scale record stores were Western music and imports.
From his predecessor, he heard that he was an artist who should not be sold out. He learned from the old colleagues of Iddo, and he learned Tokyo Ska Paradise Orchestra or Suddar Rafa, and his store began to sell Peach Kato Five or the original love of the major debut that year. It is said that Mr. Ota heard the story of “ It is sold in Shibuya, ” from the sales manager of the record company.
It is the story of the first compilation “ Blow-Up ” in Crue-L Records, which is later caused by Kenji Takimi. The compilation, which was also participating in Kaimi Kari and BRIDGE, was released in November 1991 and was quietly popular in Shibuya. He listens to the voice of the guests in the store, and Mr. Ota starts learning and research on “something new movements different from major Japanese music.”
The appearance of an artist who changed values
The artists and music who change the values of Mr. Ota, who had been one of Western music as a listener, also appear in turn.
There is a live house called Shibuya Club Quattro or On Air within the walking ticket of HMV Shibuya, where you can go out to see what’s happening in the live site.
He also moved to clubs such as Shibuya’s Room and Aoyama’s MIX.
In addition to the store, Mr. Ota, who felt the revival of a new music scene in live and clubs, is recognized by the staff related to it, and a certainty is deepened.
It was the trigger, the 2nd album “ 結 -Soul Liberation ” (1992) of Original Love.
What is still oral is the corner called “Shibuya Recommendation” by Mr. Ota. After that, the artist’s CD, which is called Shibuya, is recommended in the same style as the introduction of the import class. The reconstruction of “Recomen”, which is now considered a matter of course, was introduced as Japanese music, and the reservation counter has a new information and a leaflet of live or clubs to faithfully function as an information transmission base.
It was also a decision because of the customer’s mind from the practical point of view that originated from the field work, and the olfactory as a buyer is added to the ‘Shibuya Recommendation’.
Ota’s editorial sensation, which displays Western music associated with Japanese music, has been raised by a career at a record shop. He thought, ‘People who like pop listen to music as they get older.’
Neo acoustic, guitar pop, original love matched movie music or soft rock in Peach Cato Five, and “Listing” or “Find” by the artist’s favorite artist’s favorite artist. It is also from this time to enjoy.
Unknown Rookie Love Tambourins
Shibuya HMV expanded Japanese music stores in March 1993. To pioneer a new market, secure a store of SHIBUYA Recommendation in the form of independence from conventional Japanese music. The timing debuted was Love Tambourines, a rookie of CRUE-L Records. This unknown indie band presses B’Z and is ranked first on the Japanese music chart in HMV Shibuya, and God attracts attention at once.
In 1991, Mr. Ota, who was baptized by Crue-L while watching “Blow-up”, won the game as if it was at this time.
It is also known as this year. HMV Shibuya’s chart was reflected in the display board of Shibuya 109, and Mr. Ota, who was singing and saying, “Who is the love?”
Ozawa Kenji’s “Life”, which sold 10,000 copies from HMV Shibuya,
The two members of the former flipper guitar began to move and began to move. In July, Ozawa Kenji debuted in the single “ 天 読 読 読 ”, and in September, Kagoga Oyamadaya debuted the single “ の の ” in the name of Cornelius. Peach Kato Five was expanded from local phenomena to nationwide, while Peach Kato Five ranked “ ー ・ ル ル ・ ・ ・ ・ ・ ・ ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー ー 吻 吻 吻 吻 더존카지노 吻 吻 吻 Kiss to the chart.
In 1994, Ozawa Kenji and Schadarapa’s “ 今 ー ー ー ー ッ ッ ッ 이 ” Ozawa Kenji gains a wide support in the Shibuya system, with his second album, LIFE, increasing sales volume.
The title of Shibuya -gye is generally spread, and the sales of the store have risen even further.
HMV Shibuya became “General Mount of Shibuya.” A display that takes the store with pop to pop, and a free paper and magazine that allows you to get the latest information. They pulled the fans and were giving birth to strange vitality. It was definitely a sight to be called the “Shibuya -gye” mineral.
The record company also surge in sales at the SHIBUYA Recommendation corner. “ It’s sold in Shibuya ” has already been changed to “sell.” As the market expands, there is a gap between adult strategies.
If there is a boom, there is a backlash against him. In the midst of Tajima Takao’s remarks, “I’m not a Shibuya,” the remarks of “I’m not a Shibuya” are transmitted as a symbol of antipathy, and Mr. Ota, who was actually watching live at the time, said, “I may be over -conscious, but I wanted to run away.” Recall.
In June 1996, the headquarters moved, and Mr. Ota left Shibuya, but it is certain that Mr. Ota was Golden’s Golden Era for five years from 1991 at the HMV Shibuya store.